Religious Moderation in Islamic Films (Buya Hamka Volume 1 Semiotic Analysis)

Authors

  • Siti Raudhotul Munawaroh Institut Agama Islam Syarifuddin Lumajang
  • Rio Febriannur Rachman Institut Agama Islam Syarifuddin Lumajang

DOI:

https://doi.org/10.54471/nusantara.v4i2.67

Keywords:

buya hamka, film, semiotics, islam, religious moderation

Abstract

This study reveals the values ​​of religious moderation contained in the Islamic film Buya Hamka Volume 1 (hereinafter written as Buya Hamka), through Charles Sanders Pierce's semiotic analysis. The film Buya Hamka is a film that was released in 2023. This film tells the life story and thoughts of Buya Hamka, a prominent Islamic figure in Indonesia. The purpose of this study is to analyze the signs or symbols used in the film Buya Hamka to represent Islamic values ​​and religious moderation. In addition, this research aims to understand the messages that are intended to be conveyed to the audience about religious moderation. The theory used is religious moderation which was popularized by Masdar Hilmy, and also the concept of religious moderation was told by Abdul Aziz and Khoirul Anam in the book Moderasi Beragama Berlandaskan Nilai-Nilai Islam (Religious Moderation Based on Islamic Values). The method used in this study is qualitative with Charles Sanders Pierce's semiotic analysis approach. The conclusion of this study is: 1) the Buya Hamka film successfully represents religious moderation through the use of relevant signs or symbols; 2) The characters in the film show an attitude of deep understanding of religion and peaceful conflict resolution.

Downloads

Download data is not yet available.

References

Al-Zarnûji, Imam. Ta’lîm Al-Muta’allim Tharîq at-Ta’allum. Beirut: al-Maktab al-Islami, 1981.

Aziz, Abdul, and Khoirul Anam. Moderasi Beragama Berlandaskan Nilai-Nilai Islam. Jakarta: Dirjen Pendidikan Islam Kemenag, 2021.

Fitria, Ninis, and Rio Febriannur Rachman. “Islamic Values In The Media (Critical Discourse Analysis Of The Film Hati Suhita).” Jurnal Spektrum Komunikasi 12, no. 1 (2024): 66–75. https://journal.stikosa-aws.ac.id/index.php/spektrum/article/view/674.

Hilmy, Masdar. “Integritas Moderasi Beragama.” Mimbar Pembangunan Agama 50, no. 425 (2022): 40–41.

———. “Quo-Vadis Islam Moderat Indonesia? Menimbang Kembali Modernisme Nahdlatul Ulama Dan Muhammadiyah.” MIQOT: Jurnal Ilmu-Ilmu Keislaman 36, no. 2 (2012): 262–281.

Liszka, James Jakob. A General Introduction to the Semiotic of Charles Sanders Peirce. Bloomington: Indiana University Press, 1996.

Mamdud, Rijal. “Dakwah Islam Di Media Massa.” Al-I’lam: Jurnal Komunikasi dan Penyiaran Islam 3, no. 1 (2019): 47–54.

Mayer, Ann Elizabeth. Islam and Human Rights: Tradition and Politics. London: Routledge, 2018.

Mubasyaroh. “Film Sebagai Media Dakwah (Sebuah Tawaran Alternatif Media Dakwah Kontemporer).” AT-TABSYIR: Jurnal Komunikasi Penyiaran Islam 2, no. 2 (2015): 1–16.

Novialdi, Dedi, and Satria Nugraha. “Islamic Educational Values In Nussa The Movie Animation.” Cinematology: Journal Anthology of Film and Television Studies 3, no. 1 (2023): 85–92.

Panuju, Redi. Ide Kreatif Dalam Produksi Film. Jakarta: Kencana, 2022.

Pranajaya, Adi. Film Dan Masyarakat Sebuah Pengantar. Jakarta: BP SDM Citra, 1999.

Pratista, Himawan. Memahami Film. Yogyakarta: Homerian Pustaka, 2008.

Purwanto, Harry, and Achmad Arifulin Nuha. “Post Dakwah Di Era Cyber Culture.” DAKWATUNA: Jurnal Dakwah dan Komunikasi Islam 6, no. 2 (2020): 1–28.

Rachman, Rio Febriannur. “Menelaah Riuh Budaya Masyarakat Di Dunia Maya.” Jurnal Studi Komunikasi 1, no. 2 (2017): 206–222.

———. “Representasi Islam Di Film Amerika Serikat.” Dakwatuna: Jurnal Dakwah dan Komunikasi Islam 2, no. 2 (2016): 1–12.

Rivers, William L., Theodore Peterson, and Jay Walbourne Jensen. The Mass Media and Modern Society. San Fransisco: Rinehart Press, 1971.

Santyaputri, Lala Palupi. “Multiplikasi Sebagai Strategi Narasi Film.” In SENADA (Seminar Nasional Manajemen, Desain Dan Aplikasi Bisnis Teknologi), 91–97. Denpasar: Sekolah Tinggi Desain Bali, 2019.

Schmidt, Leonie. “Aesthetics of Authority:‘Islam Nusantara’and Islamic ‘Radicalism’in Indonesian Film and Social Media.” Religion 51, no. 2 (2021): 237–258.

Shihab, Muhammad Quraish. Islam Yang Saya Anut: Dasar-Dasar Ajaran Islam. Tangerang: Lentera Hati, 2017.

Suprayoga, Imam, and Tabrani. Metode Penelitian Sosial Agama. Bandung: Remaja Rosdakarya, 2001.

Downloads

Published

2024-07-01

How to Cite

Munawaroh, S. R., & Rachman, R. F. (2024). Religious Moderation in Islamic Films (Buya Hamka Volume 1 Semiotic Analysis). Nusantara: Indonesian Journal of Islamic Studies, 4(2), 145–162. https://doi.org/10.54471/nusantara.v4i2.67